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PAGE 5 (Four panels)

(Note: Still in sepia)

Panel 1: A long Polynesian outrigger canoe, being rowed through the surf by muscular young men. Standing implausibly in the middle of the canoe is Enzo, his movie camera rigged on a tripod somehow, cranking away and filming some scene he can see from the canoe.

CAPTION – PSEUDO-NARRATION (1): The Scelleratini brothers were even invited along to film the “wedding.”

Translation (1): Los indígenas incluso invitaron a los hermanos Scelleratini a filmar la “boda”.

Panel 2: View of another outrigger canoe, also rowed by strong young men. The Bride sits in the bow of the canoe, gazing out to sea.

CAPTION – PSEUDO-NARRATION (2): The people rowed out to a spot of ocean known to be over a deep oceanic trench.

Translation (2): Los habitantes remaron hasta a un lugar del océano conocido por estar sobre una profunda fosa oceánica.

Panel 3: The Bride now stands in the bow of the canoe. She has removed her muumuu and is naked, holding her muumuu over her head so that it trails behind her in the wind. She is wearing a beatific expression.

CAPTION – PSEUDO-NARRATION (3): Those involved seemed to regard the entire proceeding as a blessed occasion.

Translation (3): Las personas involucradas parecían considerar todo ese proceso una ocasión bendecida.

Panel 4: The Bride in mid-dive off the bow of the canoe into the ocean.

CAPTION – PSEUDO-NARRATION (4): The “bride” seemed to be acting of her own free will.

Translation (4): La “novia” parecía actuar por su propia voluntad.

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