Impariamo l’italiano LXXXIV: Esca 085

La nuova casa della bestia tentacolare.

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PAGE 85 (Single panel, color)

(Note: on this and some following pages the Creature is now housed in a giant cylindrical glass tank, similar in construction to one you can see at [redacted]. In the middle of this giant tank is some sort of coral structure inside of which the Creature (mostly) lurks.

Single panel: View of the giant tank as described above.

CAPTION – PSEUDO-NARRATION (1): The Creature is brought to the Energexecon Marine Center in Corpus Christi, Texas, where it is exhibited and studied.

Translation (1): La Creatura viene trasportata al centro marino Energexecon a Corpus Christi, in Texas, dove viene esposta e studiata.

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Claudia’s Sacrifice 09

Two phallic tentacles wrap around Claudia's ample breasts.

We continue our illustration series by longtime Erotic Mad Science contributor Dark Vanessa, in which she re-imagines the self-sacrifice of Claudia Honeywood in my graphic novella Bait, in particular the part which begins (in the English-language version) here.

The sequence is published here on agreement between me and Vanessa. Please don’t republish or make derivative works without our consent. I have made this image available in high resolution. Click on the blog image to load or right-click to download.

If you want to see all the illustrations in this series laid out in sequence, you can do so through this link to the series’s blog category.

Dark Vanessa has a DeviantArt site here and if you like her work, I urge you to support her on Patreon, as I do.

Learning from Elders: Chapter 10, Page 24

It's all a risk that Chiara is willing to take.

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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

If you want or need to, you can catch up on the entire story to date by either going to the first page and navigating through page-by-page using the arrows at the top, or you can read the story ten pages at a time by opening the Learning from Elders category on this site.

Impariamo l’italiano LXXXIII: Esca 084

Un appello per onorare il sacrificio.

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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

PAGE 84 (Three panels, long one across the top).

Panel 1: Long view showing the table set out with the portraits of the three women Eliza, Daphne, and Claudia, with other arrangements.

CAPTION – UU Minister speaking (1): Let us think of the women we commemorate today as our Praxithea, Theope, and Eubule.

Translation (1): Pensiamo alle donne che oggi commemoriamo come Praxithea, Theope e Eubule.

Panel 2: Close-up of a particular mourner, showing signs of grief. The details are at the artist’s discretion.

CAPTION – UU Minister speaking (2): Let us honor and not disdain their sacrifices.

Translation (2): Facciamo onore e non disdegniamo i loro sacrifici.

Panel 3: Close-up view on the UU Minister again. Her head is bent forward and her eyes are closed.

CAPTION – UU Minister speaking (3): For is that not what human decency really requires?

Translation (3): Non è forse questo ciò che richiede veramente la decenza umana?

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Claudia’s Sacrifice 08

Claudia caresses a tentacle.

We continue our illustration series by longtime Erotic Mad Science contributor Dark Vanessa, in which she re-imagines the self-sacrifice of Claudia Honeywood in my graphic novella Bait, in particular the part which begins (in the English-language version) here.

The sequence is published here on agreement between me and Vanessa. Please don’t republish or make derivative works without our consent. I have made this image available in high resolution. Click on the blog image to load or right-click to download.

If you want to see all the illustrations in this series laid out in sequence, you can do so through this link to the series’s blog category.

Dark Vanessa has a DeviantArt site here and if you like her work, I urge you to support her on Patreon, as I do.

Learning from Elders: Chapter 10, Page 23

Everyone looks stunned at Chiara's determined announcement.

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

If you want or need to, you can catch up on the entire story to date by either going to the first page and navigating through page-by-page using the arrows at the top, or you can read the story ten pages at a time by opening the Learning from Elders category on this site.

Impariamo l’italiano LXXXII: Esca 083

Le figlie di Leo, sacrificate per salvare Atene.

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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

PAGE 83 (Single panel page)

Single panel: A representation of Leos sacrificing his three daughters Praxithea, Theope, and Eubule. There are a number of art-historical views of what human sacrifices might have looked like in Archaic Greece and mostly this will be left to the discretion of the artist, with the recommendation that he image search some of the more famous Greek maiden sacrifices, such as those of Iphigenia or Polyxena, and extrapolate from there. Perhaps Praxithea can be lying already sacrificed at her father’s feet, Theope can be under the knife, and Eubule can be patiently waiting her turn. The four captions can be at the corners of the illustration, or otherwise arranged as seems reasonable.

CAPTION – UU Minister speaking (1): In Greek legend, Leos, the son of Orpheus, had three daughters: Praxithea, Theope, and Eubule. In response to a prophecy from the Oracle at Delphi, these three daughters volunteered themselves for sacrifice to save Athens from famine and plague.

Translation (1): Nella leggenda greca, Leos, figlio di Orfeo, aveva tre figlie: Praxithea, Theope e Eubule. In risposta a una profezia dell’Oracolo di Delfi, queste tre figlie si offrirono volontarie in sacrificio per salvare Atene dalla carestia e dalla pestilenza.

CAPTION – UU Minister speaking (2): Were their sacrifices regarded as tragedy, stupidity, or waste? Far from it. Demosthenes himself, in his funeral oration, compared them to the bravest of soldiers who fell defending their city.

Translation (2): I loro sacrifici erano considerati tragedia, stupidità o spreco? No, certamente. Lo stesso Demostene, nella sua orazione funebre, le paragonò ai più coraggiosi soldati che caddero in difesa della loro città.

CAPTION – UU Minister quoting Demosthenes (3): ὅτε δὴ γυναῖκες ἐκεῖναι τοιαύτην ἔσχον ἀνδρείαν, οὐ θεμιτὸν αὑτοῖς ὑπελάμβανον χείροσιν ἀνδράσιν οὖσιν ἐκείνων φανῆναι.

Comment (3): Do not attempt to translate this passage in Greek. It’s translated into English at (4) below, and you can translate it from there into your target language.

CAPTION – UU – Minister translating (4): “When, therefore, such courage was displayed by those women, they looked upon it as a heinous thing if they, being men, should have proved to possess less of manhood.”

Translation (4): “Nel momento in cui queste donne hanno mostrato un tale coraggio, glu uomini pensarono che sarebbe stato atroce se loro, come uomini, avessero dimostrato di possedere meno coraggio”.

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Claudia’s Sacrifice 07

Claudia's tender touch of the tentacle.

We continue our illustration series by longtime Erotic Mad Science contributor Dark Vanessa, in which she re-imagines the self-sacrifice of Claudia Honeywood in my graphic novella Bait, in particular the part which begins (in the English-language version) here.

The sequence is published here on agreement between me and Vanessa. Please don’t republish or make derivative works without our consent. I have made this image available in high resolution. Click on the blog image to load or right-click to download.

If you want to see all the illustrations in this series laid out in sequence, you can do so through this link to the series’s blog category.

Dark Vanessa has a DeviantArt site here and if you like her work, I urge you to support her on Patreon, as I do.

Learning from Elders: Chapter 10, Page 22

Chiara decides she needs to go through the Erotopylon and announces this to her Delta Psi friends.

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

If you want or need to, you can catch up on the entire story to date by either going to the first page and navigating through page-by-page using the arrows at the top, or you can read the story ten pages at a time by opening the Learning from Elders category on this site.