This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Please keep in mind that any moral rights the artist has remain intact under this license.
The second of Lucy Fidelis’s pendant illustrations for Bait, this is Daphne Bosselseg hard at work on her doctoral dissertation in a very famous venue: the Salone di lettura in the Biblioteca Marucelliana in Florence. The image is available in full resolution.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Please keep in mind that any moral rights the artist has remain intact under this license.
This illustration is by our longtime friend Lucy Fidelis. In it, Eliza Fanshaw from Bait sleeps on tangled sheets, the morning light falling across her body, as a kitty dozes beside her. You can download the high-resolution version of the illustration with a right-click and save.
Erosarts has been working at a heroic pace to make sure that we have almost a page a day of new material in the Tales of Gnosis College and associated comics, so we’re going to be doing other things for about a week here before resuming The Adventures of Ashley Madder. We shall begin with today’s announcement that Bait has been updated.
I have written an Erosarts has illustrated six new pages, represented in the long panel above. I you like to read them, they are the pages on the Bait archival page beginning at the newly-renumbered Page 79. In addition, we have fixed a number of infelicities in the dialog and narration that attended the first publication, one drawing error, and re-lettered all Japanese-language dialog in the story with a font which we you you will find more readable, or at least more aesthetically appealing.
To follow of the next few days: some fun new pieces of Bait bespoke art. Tales should then resume after that.
This illustration is Enjoying the Ride by Diana Maxwell. It is reblogged from this 9 February 2015 post at Infernal Wonders. Diana did a lot these sorts of art, serving as the first-person heroine of her own vore stories, and as such she doubtless deserves credit as one of the inspirations for the heroines of Bait. She gives this narrative in conjunction with the picture:
While skinny dipping in the surf one warm summer morning, a giant jellyfish sucked me up inside his gelatinous belly. Being a kind and gentle fishy, he allowed himself to wash ashore so that I could fully enjoy myself before he took his turn in fully enjoying me!
Diana’s DeviantArt site hasn’t been updated in many years, but it’s still there.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Please keep in mind that any moral rights the artist has remain intact under this license.
Sometimes you just need the tentacles to show up and they do, or at least that would seem to be the premise of this illustration, about which I have been unable to find anything else. It’s reblogged from this 11 December 2014 post at Infernal Wonders.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Please keep in mind that any moral rights the artist has remain intact under this license.
This image is reblogged from this 8 December 2014 post at Infernal Wonders. While there was not chain of attribution given in the tumblr posts whence it came, it is clearly work by Barry Blair.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Please keep in mind that any moral rights the artist has remain intact under this license.
This image is reblogged from this 25 November 2014 post at Infernal Wonders. The art is self-attributed to someone who calls himself “peterpulp”, but a more genuine source would be found in my source post:
This appears to be a magazine cover by fantasy illustrator Dave Dorman (b. 1958), who has a website here. The original context for the illustration appears to have been this magazine cover:
