Anatomy of the heart

This painting, Anatomy of the Heart (¡Y tenía corazón! [Anatomía del corazón]), by Spanish painter Enrique Simonet (1866-1927), in spite of its having an ostensibly naturalistic subject matter, has always struck me as having just a bit of madness about it. What is the anatomist thinking as he holds his subject’s heart in his hand? Are the really just scientific thoughts? I originally blogged it in a 21 December 2018 post at Infernal Wonders.

Recoveries

Back in 2010, when this site was just starting out, I had occasion to blog about the work of an obscure outsider artist who called verself “Atomica.” Atomica’s work consisted largely of photomanips of existing porn bring them into the imaginative world of the artist, a world of melting women, mad science experiments, and vore. Looking through the sixty or so extant images, one has a sense of glimpsing fragments of an imaginative universe rather larger than the small artistic catalog suggests. In this world there is some sort of cosmetic/drug/aphrodisiac called “liquid skin,” a flesh-liquifying substance that women play with for sexual pleasure, as well as dangerous insect-like creatures that might eat you alive, or into which you might turn if you play around with too much liquid skin. Here is an example of Atomica’s work:

Most of Atomica’s work is heavily captioned like that. That many of the internal captions appear to have been written by someone with an imperfect command of standard English is atmospherically effective, contributing to the general sense of outsider-art strangeness of the whole project.

Atomica’s art appears seems to have been done by or before 2002. When I was writing the 2010 post all I had of Atomica were a handful of images and some notes I took in a journal written in about 2005 or so. (I’ve been at all this for a while, you see.) The site hosting Atomica’s weird art appeared to have vanished off the Internet, destined to be but a wistful memory of an age when the Internet was a fun place for creatives and eccentrics to let their freak flags fly, rather a string of big ugly malls patrolled by corporate goons.

This past weekend I was working on a project to create archival editions of old posts and came across the 2010 post. Since I was busy fixing broken links (link rot being the bane of anyone who keeps a site) I decided to take a whirl at finding the old Atomica art at the Internet Archive, that mighty and wonderful resource, which appears to me to have gotten easier to search as of late.

Within fifteen minutes I had found the Atomica archive on the Wayback Machine. I couldn’t have been happier: crude as it is, this is formative art for me, a real find back in the day when I thought I was just a weirdo having strange erotic thoughts that no one else could have been having. I won’t blog most it it here — much of this material is sufficiently squicky that it merits discussion mostly at Infernal Wonders — but you should feel free to peruse the archive and, for that matter, the other weird material at the fan site that my Archive heroes have preserved.

And if you can contribute, please consider donating to the Archive. It preserves our collected heritage!

Statue liberation

This image appears to have been created by freystrongart, who remarks about it “The above picture was partly inspired by one of Michelangelo’s marbles although I have not tried to imitate the stance but only that sense of trying to get free of the marble.” The artist’s description seems consistent with a strong interest in in the Italian renaissance (and the city of Florence in particular) evident on the artist’s Flickr account. The image itself is a reblog from a 17 November 2013 post at Infernal Wonders, which traces back to the tumblr Reverse Pygmalion.

It’s beginning to look a lot like fishmen…

Probably actress Barbara Bach (b. 1947) posing with a fishman played by I-know-not-whom in a publicity still for the 1979 Italian action-adventure-horror film L’isola degli uomini pesce (Island of the Fishmen).

As it does so often, the IMDB entry (which gives the movie the title Screamers) does not disappoint in its luridness.

The main image on this post is a reblog from a 16 November 2013 post at Infernal Wonders. The first appearance the image made appears to have been at a tumblr called Cocks and Cowboys.

The Demon Doctor

The poster text reads:

A nightmare of terror in the macabre. The Demon Doctor. See the maniac doctor in the horror film of the age. He lures lovely women for monstrous experiments.

It’s not entirely obvious, but The Demon Doctor is probably an alternate title for the 1962 Spanish-French horror film The Awful Dr. Orloff, directed by Jesús Franco (1930-2013). The promotional art accompanying this movie’s IMDB entry is equally lurid.

The main image is a reblog from a 15 November 2013 post at Infernal Wonders, with an original source at what seems to be a defunct tumblr.

Some co-blogging by Bacchus

It is with great pleasure that I can announce that Bacchus of ErosBlog, who has in the past done formidable research on topics of interest to me for publication here at Erotic Mad Science, has not only agreed to accept a new series of image-research commissions, but has also agreed to directly supply supporting text for them, writing in a style that charmed and intrigued his readers for fifteen years at ErosBlog. I hope you can join me in welcoming him as a guest blogger here in many of the coming mid-day posts. His first post will be running here in a few hours, and appropriately for a site which recently featured Bait, it has tentacles. Lots and lots of tentacles…