Monthly Archives: October 2020

Приманка 044

Момент принятия судьбоносного решения.

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PAGE 44 (Single panel page)

Single panel: View in the galley of the ship, probably from a high angle as this is likely to be a fairly long, narrow space. Turpentine is prominent. He’s dressed as if for a special occasion, wearing a jacket and a bow tie. Eliza and Daphne are both prominent. Among the other people in the galley should be the other characters we’ve seen so far, including Captain Drummingdale, Hiram, and Claudia. There should be others – various ship’s officers and other scientists, that sort of people. Drummingdale is holding a small coin up for everyone to view.

CAPTION – PSEUDO-NARRATION (1): As the RV Seagoon approaches the island of Motofupo, there is a dramatic moment.

Translation (1): При приближении RV Seagoon к острову Мотофупо возникает драматический момент.

Turpentine (2): All right, people, now comes the moment when we decide. We are going to determine which of our brave volunteers goes first. We shall flip this twenty-dollar gold coin.

Translation (2): Что ж, друзья, настал момент выбора. Мы собираемся определить, кто из наших отважных волонтеров пойдет первым. Подбросим эту двадцатидолларовую золотую монетку.


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EXT. THE SECURITY BOOTH AT WAREHOUSE ENTRANCE – NIGHT


An unmarked van backs up to the doors of the warehouse.


Terrorist #1 BUZZES open the door. Four terrorists (TERRORISTS #2 – #5) armed with automatic weapons enter the building at a run.


Please do not reproduce this storyboard or its associated screenplay text without permission from Faustus, who may be contacted here.

Приманка 043

Терпентайн отправляется на ловлю своего монстра.

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PAGE 43 (Two panels)

Panel 1: Probably a smaller inset panel. Turpentine, now in a short-sleeved shirt, being interviewed aboard ship (indicate by showing a porthole in the background).

Turpentine (1): This vessel has been specially outfitted for the mission. It carries a great variety of electronic, fishing, and whaling gear.

Translation (1): Судно специально экипировано для этой миссии. Здесь есть большое количество электронного, рыболовного и китобойного оборудования.

Panel 2: “Schematic” of the ship, showing the large central area converted to a giant tank, with a crane on part of the deck.

CAPTION – TURPENTINE NARRATING (2): The most important feature, though, is a giant marine tank in the middle of the ship, in which we hope to contain the creature after capturing it.

Translation (2): Однако самая примечательная часть – гигантский морской резервуар в центре судна, в котором мы намерены содержать чудовище после его поимки.


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INT. SECURITY ROOM – NIGHT


SAM


What the…


Fred shoots Sam twice in the chest, gravely wounding him. Sam staggers backwards and collapses.


Fred steps into the security room and closes the door behind him. He takes the radio off his belt and speaks briefly in a foreign language in it again.


Please do not reproduce this storyboard or its associated screenplay text without permission from Faustus, who may be contacted here.

Приманка 042

Долгожданный отъезд в Южные моря.

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PAGE 42 (Four panels)

Panel 1: Eliza standing at the boarding counter for an international flight, with Daphne behind her. A GATE AGENT is checking Eliza’s documents prior to her boarding.

CAPTION – PSEUDO-NARRATION (1): At long last the preparations were made. The volunteers boarded a flight for Southeast Asia…

Translation (1): Наконец все было готово. Девушки-волонтеры вылетели на самолете в Юго-восточную Азию.

Panel 2: Eliza and Daphne sitting side-by-side in large, first-class seats in a first-class cabin. Eliza is holding a flute of champagne and Daphne is reading a book.

CAPTION – PSEUDO-NARRATION (2): The benefactor behind the exhibition arranged for them to travel first class.

Translation (2): Спонсор забронировал им места в первом классе.

Panel 3: Claudia in coach class, crammed into the middle seat of three between Hiram and another passenger. Hiram looks like he’s trying to get Claudia’s attention, perhaps even hitting on her. The other passenger, a FAT MAN, has gone to sleep. Claudia stares forward with Stoic resignation.

CAPTION – PSEUDO-NARRATION (3): Most of the other specialists on the exhibition had to travel in coach.

Translation (3): Большинству остальных специалистов пришлось довольствоваться вторым.

Panel 4: Eliza, followed by Daphne, followed by Claudia, walking up the gangway to the RV Seagoon. Eliza is wearing her typical thin cotton shirt and skirt, Daphne is in denim shorts and a T-shirt, and Claudia is in a conservative white button-down short-sleeved shirt and a dark skirt. All three are carrying bags, with Claudia’s being by far the largest.

CAPTION – PSEUDO-NARRATION (4): After arriving in Singapore, volunteers and crew board the research vessel RV Seagoon for their venture in the South Seas.

Translation (4): Прибыв в Сингапур, волонтеры и члены экспедиции пересели на исследовательское судно RV Seagoon и отправились к южным морям.


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INT. SECURITY ROOM – NIGHT


Sam, in his security guard’s uniform, is watching various monitors when there is a KNOCK at the door to the room.


SAM


(glancing at a monitor on which Fred appears)


Fred, is that you?


FRED


Yeah. I was able to get that “delivery” you wanted.


SAM


Ain’t you supposed to be at your post, Fred?


FRED


I got Larry to fill in for me, but he can’t for long.


SAM


(shrugging)


Okay, okay.


Sam opens the door. Fred stands in the doorway holding a pistol with a silencer.


Please do not reproduce this storyboard or its associated screenplay text without permission from Faustus, who may be contacted here.

Приманка 041

Элизе нравится быть под водой; Дафна сохраняет решительность.

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PAGE 41 (Four panels)

Panel 1: Eliza, about half climbed out of the tank, water dripping off her. A TECHNICIAN is pulling off one of her sensors. Eliza is smiling broadly.

Eliza (1): That’s just the most amazing thing, being underwater for all that time. I’ve never felt anything so peaceful.

Translation (1): Просто потрясающе – находиться столько времени под водой. Никогда не чувствовала такого покоя.

Panel 2: Eliza standing outside the tank, all of her sensors now removed, toweling off but still wearing her one-piece suit.

Eliza (2): I can’t wait to do that naked in the open ocean.

Translation (2): Не терпится сделать это обнаженной в открытом океане.

Panel 3: Daphne, back being interviewed in the coffeehouse.

Daphne (3): Back out? No way.

Translation (3): Отказаться? Исключено.

CAPTION – UNSEEN INTERVIEWER (4): But…

Translation (4): Но…

Daphne (5): But what? But I’m going to be immortal if I don’t go through with this?

Translation (5): Что но? Если я не пройду через это, я буду бессмертной?

Panel 4: Closer-in view of Daphne’s face. She looks deadly serious.

Daphne (6): None of us has the choice as to whether to die. We can only make it sooner, or maybe just a little later.

Translation (7): Никто из нас не может выбирать, умереть или нет. Мы только можем сделать это раньше или позже.

Daphne (7): And we can try to attach meaning to death. That’s what I’m doing here.

Translation (7): Мы хотим придать смерти смысл. Это то, чем я занимаюсь здесь.


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INT. A STAIRWELL IN THE WAREHOUSE – NIGHT


Fred is running up the stairs, almost silently.


Please do not reproduce this storyboard or its associated screenplay text without permission from Faustus, who may be contacted here.

Приманка 040

Разве не замечательно находиться под водой часами, не всплывая, чтобы подышать?

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PAGE 40 (Three panels, with Panels 1 and 2 probably stacked on the left-hand side of the page, with Panel 3 taking up the right-hand side of the page. Do Panel 3 in color.)

Panel 1: Professor Turpentine, holding up a syringe which he is pointing to.

Turpentine (1): Of course, we are taking measures to reduce any possible distress in our subjects. For example, we intend to give them an injection of this…

Translation (1): Разумеется, мы принимаем меры, чтобы снизить стресс у объектов эксперимента. К примеру, мы введем им инъекцию…

Panel 2: Eliza, her sleeve rolled up receiving an injection from a NURSE.

CAPTION – TURPENTINE NARRATING (2): …a solution of nanocytes that are thousands of times more efficient than human blood cells at storing and transporting oxygen.

Translation (2): …раствора наноцитов, которые в тысячи раз более эффективно удерживают и переносят кислород, чем клетки человеческой крови.

Panel 3: Eliza, sitting in a crossed-legs position at the bottom of cylindrical tank wearing a one-piece bathing suit, with a number of sensors attached to wires attached to her. She has her eyes closed.

CAPTION TURPENTINE NARRATING (3): With this injection, an inactive human subject can remain submerged for up to four hours.

Translation (3): Благодаря этой инъекции объект сможет находиться под водой до четырех часов.


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EXT. THE SECURITY BOOTH AT WAREHOUSE ENTRANCE – NIGHT


A moment later Terrorist #1 enters the back of the security booth and sheds his black hoodie. He is wearing a security guard’s uniform just like Fred’s.


Terrorist #1 takes Fred’s place in the both. Fred slips out the back of the booth.


Please do not reproduce this storyboard or its associated screenplay text without permission from Faustus, who may be contacted here.