Invisible Girl, Heroine: Chapter Four, Page Three

I wonder how it feels to discover that she of whom you are a duplicate is succeeding brilliantly at something…

Strangeways explains clearly to Jill-Prime that no one misses duplicate her.

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Invisible Girl, Heroine: Chapter Four, Page Three written and commissioned by Dr. Faustus of EroticMadScience.com and drawn by Lon Ryden is published under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.)

Invisible Girl, Heroine: Chapter Four, Page Two

Something rotten, indeed. Although it might not look quite that way…

Jill-Prime, duplicate of Jill Keeney, waits for something at the State Home.

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Invisible Girl, Heroine: Chapter Four, Page Two written and commissioned by Dr. Faustus of EroticMadScience.com and drawn by Lon Ryden is published under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.)

The special feature of pendant images is postponed until things in my laboratory get a little less chaotic.

Invisible Girl, Heroine: Chapter Four, Page One

A secret conclave of two in the Gnosis College library.

Maureen meets with Willie for a secret discussion in the Gnosis library.

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Invisible Girl, Heroine: Chapter Four, Page One written and commissioned by Dr. Faustus of EroticMadScience.com and drawn by Lon Ryden is published under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.)

Academic libraries are sexy places, when you take them in the right spirit.

Image found at the tumblr Xxaark.

Invisible Girl, Heroine: Chapter Four, Cover

A new month, and the adventure moves forward.

Jill Keeney's copy cowers bound in a cage.

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Invisible Girl, Heroine: Chapter Four, Cover written and commissioned by Dr. Faustus of EroticMadScience.com and drawn by Lon Ryden is published under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.)

The “woman behind bars” theme gets pushed here ever harder.

Image found at the tumblr THINK LESS!!

Invisible Girl, Heroine: Chapter Three, Pin-up

And we have reached the end of another chapter of Invisible Girl, Heroine, or almost so, because our ending pin-up for this chapter is a little…unusual. It’s not just the pin-up, but it’s also the culmination of a convergence of one of our storylines and a might-have-been crossover with Lon’s They Want Our Women series (first installment here).

Vanessa from the Tales crosses with the Little Green Bastards.

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Invisible Girl, Heroine: Chapter Three, Pin-up written and commissioned by Dr. Faustus of EroticMadScience.com and drawn by Lon Ryden is published under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.)

As always, publication editions of the chapter just completed are available in Comic Book Archive (.cbz), Portable Document Format (.pdf) and MOBI for e-book readers (.mobi). You can download any of the publication editions directly by clicking on the appropriate icon below.

And that wraps it up for Chapter Three, but hardly for the volume. Watch this space for the start of Chapter Four tomorrow!

Squick or Squee 2012 VIII: New New Iris Art

Artist Andy LaRoy has earned a following for his fetching bondage and fantasy illustration, and he combines significant elements of both in his own take on a critical moment for Gnosis College heroine Iris Brockman. We have seen a version of this subject before, but Andy’s having done her up shibari-style gives the scene some added kick, as well as some added kink.

Iris Brockman strung up shibari-style, about to made into tasty restaurant meals

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Andy LaRoy’s Squick or Squee Entry 2012 commissioned by Dr. Faustus of EroticMadScience.com and drawn by Andy LaRoy is published under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.)

Invisible Girl, Heroine: Chapter Three, Page Twenty-Nine

How is a newborn to know the consequences of her actions?

Jill-Prime is gilded in Strangeways strange machine.

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Invisible Girl, Heroine: Chapter Three, Page Twenty-Nine written and commissioned by Dr. Faustus of EroticMadScience.com and drawn by Lon Ryden is published under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.)

So, let’s pay a little more credit to a favorite fetish of Reverse Pygmalion.

Image found here.

Invisible Girl, Heroine: Chapter Three, Page Twenty-Eight

Jill-Prime is at least the copy of someone who has been socialized to comply with medical advice.

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Invisible Girl, Heroine: Chapter Three, Page Twenty-Eight written and commissioned by Dr. Faustus of EroticMadScience.com and drawn by Lon Ryden is published under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.)

“Trust me. I am a doctor.” And who wouldn’t?

Image found in a presentation done by the New York Times.

Invisible Girl, Heroine: Chapter Three, Page Twenty-Seven

Only minutes old, and already this pirate-copied version of Jill (“Jill-Prime” in the script) is already the subject of mad science experimentation.

Jill-Prime emerges from her tank, tries to find out what is happening to her.

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Invisible Girl, Heroine: Chapter Three, Page Twenty-Seven written and commissioned by Dr. Faustus of EroticMadScience.com and drawn by Lon Ryden is published under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.)

The girl victim of mad-science medical experimentation reminds me of another movie on my to-watch list, Pedro Amodovar’s The Skin I Live In (2011).

Screenshot from a review at We Got This Covered.

Invisible Girl, Heroine Chapter Three, Page Twenty-Six

Ecce femina!

A naked copy of Jill, "Jill-Prime," emerges from Strangeways's tank.

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Invisible Girl, Heroine: Chapter Three, Page Twenty-Six written and commissioned by Dr. Faustus of EroticMadScience.com and drawn by Lon Ryden is published under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.)

The trope of a newly-created woman emerging from some sort of tank-like environment is a trope with a histoy, appearing (in promotional material, anyway) in a 1976 movie called Embryo.

Found at Cinematic Thoughts, which has a brief photoessay on this film.