2015 Squick or Squee Week IV: L’homme qui a tué la mort

Introduction

Busy artist Lon Ryden tries his hand at horror. I think the scalpel is a nice touch.

Image

ryden.recreation

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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Source

tue-la-mort

The Artist and a Note

Lon Ryden is the illustrator of, among many other things, the Tales of Gnosis College and We Must Boost the Signal. He has a DeviantArt site here and a professional site here.

A larger version of this art is expected to be published at the Internet Archive in November.

Pulp Art recreations XVI: Rocketman abduction

Introduction

Lon Ryden re-imagines a rocketman abduction for the 21st century, which I guess will be grimmer than the 20th.

Image

ryden-spoman

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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Source

g064a-tumblr_n7ohh7zdcv1tabeogo1_1280

This image was researched by Bacchus, and you can find his finely-detailed account of its provenance in the post “Γ 064 – Rocket Man: at Hedonix.

The Artist

Lon Ryden is the illustrator of, among many other things, the Tales of Gnosis College and We Must Boost the Signal. He has a DeviantArt site here and a professional site here.

Pulp Art Recreations XIV: Grabber

Introduction

Lon Ryden asks himself who will prosper after the apocalypse, and the answer appears to be they that have tanks with giant mechanical grabber things.

Image

ryden-aftermath

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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Source

tumblr_n02gbpVSn51suchdko1_1280

The cover of Thrilling Wonder Stories (Spring 1946), painted by Earle Bergey (1901-1952). This artist has an entry at The Field Guide to American Pulp artists here, a page at the American Art Archives here, and there is an official site (listed as “coming soon”) here. A little additional provenance on the image can be found in the post “Attack of the gown-shredding robot” at Infernal Wonders.

The Artist

Lon Ryden is the illustrator of, among many other things, the Tales of Gnosis College and We Must Boost the Signal. He has a DeviantArt site here and a professional site here.

Pulp Art recreations VII: The Uncanny Octopus Man

Introduction

Another illustration by Lon Ryden.

Image

ryden-uncanny

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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Source

tumblr_mr77begnLx1qz72v7o1_500

Some of the provenance can be found in the post “Octopus Man” at Infernal Wonders.

The Artist

Lon Ryden is the illustrator of, among many other things, the Tales of Gnosis College and We Must Boost the Signal. He has a DeviantArt site here and a professional site here.

Pulp Art recreations III: All sorts of stuff going on

Introduction

This one is by the most prolific off all Erotic Mad Science artists, Lon Ryden.

Image

ryden-haploma

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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Source

tumblr_nf38ilrUQp1s2pocso1_1280

A bit more on the provenance of the source can be found in the post “The Woman Generator” at Infernal Wonders.

The Artist

Lon Ryden is the illustrator of the Tales of Gnosis College and We Must Boost the Signal, among many other things. He has a DeviantArt page here and a professional website here.

Squick or Squee week 2013 III: Dr. Moorcoch’s Robot

Our third entry this year comes from Lon Ryden, the tireless illustrator of the Tales of Gnosis College. Like Kristin, he provides his own explanatory text in his highly-complex illustration (you can get high-resolution versions by clicking through the image.)

For those of you who are fanatical about all the detail in the image, there is also a caption-free version:

(Click on the image for larger size. Creative Commons License
Moorcochcommissioned by Dr. Faustus of EroticMadScience.com and drawn by Lon Ryden is published under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.)