
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Busy artist Lon Ryden tries his hand at horror. I think the scalpel is a nice touch.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Lon Ryden is the illustrator of, among many other things, the Tales of Gnosis College and We Must Boost the Signal. He has a DeviantArt site here and a professional site here.
A larger version of this art is expected to be published at the Internet Archive in November.
Lon Ryden re-imagines a rocketman abduction for the 21st century, which I guess will be grimmer than the 20th.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
This image was researched by Bacchus, and you can find his finely-detailed account of its provenance in the post “Γ 064 – Rocket Man: at Hedonix.
Lon Ryden is the illustrator of, among many other things, the Tales of Gnosis College and We Must Boost the Signal. He has a DeviantArt site here and a professional site here.
Lon Ryden asks himself who will prosper after the apocalypse, and the answer appears to be they that have tanks with giant mechanical grabber things.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The cover of Thrilling Wonder Stories (Spring 1946), painted by Earle Bergey (1901-1952). This artist has an entry at The Field Guide to American Pulp artists here, a page at the American Art Archives here, and there is an official site (listed as “coming soon”) here. A little additional provenance on the image can be found in the post “Attack of the gown-shredding robot” at Infernal Wonders.
Lon Ryden is the illustrator of, among many other things, the Tales of Gnosis College and We Must Boost the Signal. He has a DeviantArt site here and a professional site here.
Another illustration by Lon Ryden.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Some of the provenance can be found in the post “Octopus Man” at Infernal Wonders.
Lon Ryden is the illustrator of, among many other things, the Tales of Gnosis College and We Must Boost the Signal. He has a DeviantArt site here and a professional site here.
This one is by the most prolific off all Erotic Mad Science artists, Lon Ryden.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
A bit more on the provenance of the source can be found in the post “The Woman Generator” at Infernal Wonders.
Lon Ryden is the illustrator of the Tales of Gnosis College and We Must Boost the Signal, among many other things. He has a DeviantArt page here and a professional website here.
Our third entry this year comes from Lon Ryden, the tireless illustrator of the Tales of Gnosis College. Like Kristin, he provides his own explanatory text in his highly-complex illustration (you can get high-resolution versions by clicking through the image.)
For those of you who are fanatical about all the detail in the image, there is also a caption-free version:
(Click on the image for larger size.
Moorcochcommissioned by Dr. Faustus of EroticMadScience.com and drawn by Lon Ryden is published under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.)