Ayla’s Nightmare by ecostar

3D artist ecostar has been creating some remarkable erotic fantasy art of late over at his site DarkCreatureZ, and at least some of it has a mad-science flavor.  The first in a series Ayla’s Nightmare.

Click for full size.  Also, kindly note that this work is reproduced here under ecostar’s

Creative Commons License Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. — The licensor permits others to copy, distribute, display, and perform the work for non-commercial purposes only. — The licensor permits others to copy, distribute and transmit only unaltered copies of the work — not derivative works based on it. See the original presentation post for additional detail.



Dare I say it? That’s quite a sex machine they have going there!

The Bachelor Machine

It is with great pleasure that I can report that Circlet Press has now made available a new e-book version of M. Christian‘s short story collection, The Bachelor Machine. For thaumatophiles, it is a do-not-miss.

The new edition consists of nineteen stories and two appendicies from the 2003 on-dead-tree edition plus a new foreword.

Many — though not all — of the stories are set in a gritty cyberpunk world, one which at times makes even the imagination of William Gibson look somewhat tender by comparison.  Radical forms of body modification, virtual realities, biohacking, and so on are explored in all sorts of permutations of gender and practice, or beyond gnder and practice.  Some are just exquisite.  The backer’s tale “Heartbraker” plays like X-rated version of Ghost in the Shell.  I hope M. Christian will forgive me for offering a taste:

Their cunt was on fire—molten, their lips and their clit steamed in a thumping beat as both their bodies moved over each other. Nipples stroked across soft breasts, bellies glided on a sheen of fine synthetic sweat.Their cunt was rapidly melting in a pool of vibrating wine, a tub of jiggling butter. They weren’t just hot or steaming—they were burning in their roaring lust, combining in a echoing, reverberating bonfire. Linked, each hardwired into the other’s genitals, mixed and matched, they surged and merged.

(And if, after reading that, you don’t want to run out and buy this book right now, I should wonder what you’re doing on this blog.)

It’s not all cyberpunk.  “The New Motor” has a superficially steampunk feel, but what it actually seems to do is take a cyberpunk erotic sensibility and project it backwards into a real nineteenth-century America that was full of eccentric and goofy spiritual movements, with rather delightful results.  And there is dark political satire here as well, in a story like “Guernica,” in which closeted BDSM enthusiasts derive pleasure in parodying the grim, oppressive police state in which they live.

These are often edgy stories:  I am full of admiration for M. Christian’s willingness to “go there,” wherever “there” is.  Consider “Everything But the Smell of Lilies,” a story of a sex worker who has been modified so that she can be killed by clients who get off on that sort of thing has to be one of the squickiest things I’ve ever read…and read, and read, and read again.  So fair warning, these are not stories for the squeamish or the easily offended.   And they’re challenging in other ways as well, full of twists and non-conventional narrative structures and devices.  This is erotica for advanced readers.

And yet for all the edginess, for the cyberpunk grit and the sense of a brutal world, there are touching moments, bits of tenderness in the oddest of places.  The final story, “The Bachelor Machine,” about an encounter with a deteriorating, way-past-her-prime sexbot contains a twist that left me with a catch in my throat.  As usual, I won’t give it away.  But I shall urge you to read it yourself.  You can order a copy from Circlet here.

The Velvet View added to siteroll

It has been there for a while, but if you haven’t so far you should really drop in and pay The Velvet View a visit.  It’s a general blog guilt around images of erotic (or at least, sensual) art, but it’s worthy of special attention because site creator Alvaro has a real eye for the exquisite.

And yes, there’s some stuff there that’s definitely appealing to the thaumatophileAn example:

Not an image that hits you over the head with its eroticism…but one you can fall into with its level of detail.  It’s “Marionette,” by DA artist dcwj.

Dynawash, alternate version

A few weeks back I was delighted to present a live-action/3D art hybtid image, in which the lovely Asian Dyna provided the live model and talented artist (and frequent Erotic Mad Science contributor) Niceman provided the 3D setting. It is a privilege and a pleasure to be able to present another such image — same theme, different take:.

Lovely Asian Dyna gets naked and gets washed by robots...again!

(Click on the image for full-size version.)Creative Commons License
Dynawash Version 2 by by Niceman and Asian Dyna, commissioned by Dr. Faustus of EroticMadScience.com is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

The image is a variant of a contest image created by Niceman as part of the 2011 Alien Invasion Contest (!) over at Renderotica, and if you have a Renderotica login (or want to create one, which is well worth the effort) you can see Niceman’s contest image here.

The “Art of Faustie” added to siteroll

Those of you who’ve been following the interesting…interactions between Howard and Moira as The Apsinthion Protocol posts out might note that I’ve got a bit of a taste for monster sex, and if you do to you would do well to follow the new link to “The Art of Faustie” now added to the EroticMadScience siteroll.

Faustie — no, not a kid sister or a mini-me to your humble blogger, the tasteful choices in nom d’Internet being but coincidence — is an artist and animator who really knows how to get things done when it comes to monster sex. A (ahem) taste, called “Explorer.” (Click for full size.)

Dungeon tentacle sex sometimes just sneaks up on you...

One could see this as an object lesson in why when dungeon-delving it is wise to wear pants, but I digress. If this is your cup of goo, by all means head on over, and visit Faustie over at DeviantArt as well. Not only will you find tons of cool art, but you will also find a valuable illustrated document called The Modern Woman’s Strategies for Sex Zombie Survival.

Hey, you never know when that might be useful.

The Erotofluidic Age

A while back at ErosBlog I had the pleasure of reviewing an audiobook of a story called “The Ontological Engine” by Vinnie Tesla.  And when I say “pleasure” I don’t mean that as just a formality.  The story was a great merry romp of steampunk-era erotic mad science (an unusual genre to be sure, but definitely to my own taste).  It was the first part of a promised longer story, and I’ve been eager with anticipation ever since.

Well mad science fans, the long wait is finally over.  Just out from Circlet Press:

No one who enjoyed “The Ontological Engine” will be disappointed.   Those who haven’t read “The Ontological Engine” are in for an even greater treat.

The story starts when Daedalus Tesla, a brilliant but eccentric scientist, is obliged to leave his position at an unnamed Cambridge college when it is discovered that he has been using the wife of a professor in his experiments.  Entirely innocent and in-the-interest-of-science experiments, of course, but it’s the Victorian era and people are prone to drawing unwarranted inferences.  Removing to his country seat, Tesla continues his experiments, taking into his confidence and employ an engineer named Victor Dalrymple.  Along the way they attract into their circle Eleanor Pertwee, the comely vicar’s daughter whose consciousness has clearly been strongly shaped by reading French novels

Tesla is working on what he calls “ontological forces,” primal currents in the very structure of reality which, with enough mad science apparatus and an appropriate power source, can be attracted and focused in a spatial locality.  The “appropriate power source” is, unsurprisingly, human sexual energy (of which Miss Pertwee just happens to have in abundance) and the consequences of their collection are to effect fantastical metamorphoses that would Ovid himself swearing off the bottle.

We follow the story through many evolutions, introduced along the way to a set of strange siphon-headed creatures called geoducks (and if you actually know the correct pronunciation of “geoduck,” give yourself a gold star), a set of improbable and socially-awkward transmogrifications, and a randy lady engineer.  The long culmination of of the story involves ontological-energy-powered travel to an alternative-world England in which state-sanctioned sex conscription has been introduced (shades of Slaveworld!).  Among the inhabitants of the alternative world are an unusual group of people called “violas,” whose presence makes possible narrative sentences like the following.

Lacking any objections to his implicit demand, I turned my attention to lapping at his engorged clitoris and pressed a finger into his vagina, finding it quite as wet and swollen as I had anticipated.

Yes, that does read his clitoris and his vagina.  No, it isn’t a misprint.  Yes, it does make perfect sense in the context of the story.  But no, I’m not going to explain it here.  If you’re curious, you’ll have to read it to find out how it works.

Vinnie has woven quite a few strands into the tapestry.  The base of the story is in classical Victorian pornography and contemporary steampunk.  (Your erotic vocabulary will expand considerably on reading this, believe me).  But Vinnie manages to work in quite a lot of science fictional elements and, this being the postmodern age it is, some pretty wry pop-cultural references, which I also don’t want to give away but encourage you to look for.  But I shall give you this snippet of dialog:

“I’m afraid the ——shire Teslas are a scant three centuries in these parts, having constructed Tesla Hall inthe reign of Queen Elizabeth. We are a restless people, and no doubt will be moving on again any century now.”

That reminds me of P.G. Wodehouse more than anything else.  It takes a deft touch to blend comedy, pornography and science fiction like this.  A judicious reader should also be impressed especially by Vinnie’s female characters, which are much the way I like them:  adventurous, outspoken, and bold.  Alternative England also has in it a female official called the Arbitor who’s quite appealing, in a fearsome sort of way.

Enough of me:  I urge you to get out there and read.  The Erotofluidic Age is available in mere seconds as an e-book through the modern miracle of digital-encoded electrotelegraphic transmission at Circlet Press here or Amazon here.  In addition, you can read Vinnie’s own comments on the work at the Circlet Press blog, accessible here.  Enjoy!

 

 

Dynawash by Niceman and Asian Dyna

Every now and then it just doesn’t seem like enough to imagine mad science.  You want to do it, even if just a bit.

So, in between scenes in The Apsinthion Protocol a little extra in the form of a mad artistic experiment that combines two different techniques for making erotic mad science images.  Lovely Asian Dyna, who has spontaneously created her own live-action mad science images in the recent past, graciously modeled for an image, and was then transported into the world of my own mad-science imagination through the 3D art wizardry of Niceman, who has created all sorts of remarkable imagery for this site.

The result was truly striking.

Asian Dyna gets washed by mad science robots!

(Click on the image for full-size version.)Creative Commons License
Dynawash by by Niceman and Asian Dyna, commissioned by Dr. Faustus of EroticMadScience.com is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

The specific Gnosis College universe reference is to a story-within-a-story that I discuss in this post, (and more indirectly here) for those who are interested.

I think this was an eminently successful experiment, and am greatly pleased with Dyna and Nice’s work here.